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Blood, Sweat & Tears – 1968 - Blood, Sweat & Tears (2015 Audio Fidelity SACD) [mp3@320]

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  Blood, Sweat & Tears – 1968 - Blood, Sweat &
Tears
  
  (2015 Audio Fidelity SACD) [mp3@320]
  
  
  
  
  Blood, Sweat & Tears
  
  
 
Blood, Sweat & Tears in 1972
  
  Wikipedia:
  Blood, Sweat & Tears (also known
as "BS&T") is a contemporary jazz-rock American music group. They are noted for their combination of brass and rock
band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, the Band, the
Rolling Stones, as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei
Prokofiev into their arrangements. They were originally formed in 1967 in New York City. Since their beginnings, the
band has gone through numerous iterations with varying personnel and has encompassed a multitude of musical styles. The
band is most notable for fusing of rock, blues, pop music, horn arrangements and jazz improvisation into a hybrid that
came to be known as "jazz-rock". Unlike "jazz fusion" bands, which tend toward virtuosic displays of instrumental
facility and some experimentation with electric instruments, the songs of Blood, Sweat & Tears merged the stylings
of rock, pop and R&B/soul music with big band, while also adding elements of 20th Century Classical and small combo
jazz traditions.
  
  
  Blood,
Sweat & Tears
  
  (2015 Audio Fidelity SACD)
  
  
  
  Artist: Blood, Sweat & Tears
  Title: Blood, Sweat &
Tears
  Format: SACD, Hybrid, Stereo, Album, Limited Edition, Numbered, Remastered 
  SACD Mastering: Steve
Hoffman
  Producer: James William Guercio
  Release Date: December 11, 1968, (Audio Fidelity February 10,
2015)
  Recorded: October 7 - 22, 1968 CBS Studios, New York City using a 16-track recording facility
  Label:
Audio Fidelity
  Catalog: AFZ5 198
  Barcode: 7 80014 21982 6
  ASIN: B00PRL168M
  Genre: Rock,
Blues Rock, Jazz Rock, Psychedelic Rock, Pop Rock, R&B
  Duration: 45:53
  
  Wikipedia:

 Blood, Sweat & Tears is the second album by the band Blood, Sweat & Tears, released in 1968. It was a huge
commercial success, rising to the top of the U.S. charts for a collective seven weeks and yielding three successive Top
5 singles. It received a Grammy Award for Album of the Year in 1970 and has been certified quadruple platinum by the
RIAA with sales of more than four million units in the U.S. In Canada, it enjoyed four runs and altogether eight weeks
at No. 1 on the RPM national album chart.
  
  AllMusic Review by Bruce Eder:
  The difference
between Blood, Sweat & Tears and the group’s preceding long-player, Child Is Father to the Man, is the
difference between a monumental seller and a record that was “merely” a huge critical success. Arguably, the
Blood, Sweat & Tears that made this self-titled second album — consisting of five of the eight original
members and four newcomers, including singer David Clayton-Thomas — was really a different group from the one
that made Child Is Father to the Man, which was done largely under the direction of singer/songwriter/keyboard
player/arranger Al Kooper. They had certain similarities to the original: the musical mixture of classical, jazz, and
rock elements was still apparent, and the interplay between the horns and the keyboards was still occurring, even if
those instruments were being played by different people. Kooper was even still present as an arranger on two tracks,
notably the initial hit “You’ve Made Me So Very Happy.” But the second BS&T, under the aegis of
producer James William Guercio, was a less adventurous unit, and, as fronted by Clayton-Thomas, a far more commercial
one. Not only did the album contain three songs that neared the top of the charts as singles —
“Happy,” “Spinning Wheel,” and “And When I Die” — but the whole album,
including an arrangement of “God Bless the Child” and the radical rewrite of Traffic’s “Smiling
Phases,” was wonderfully accessible. It was a repertoire to build a career on, and Blood, Sweat & Tears did
exactly that, although they never came close to equaling this album.
  
  
  
  
  01. Variations On A Theme By Erik Satie (1st and 2nd Movements) - 2:33
  02. Smiling Phases
- 5:08
  03. Sometimes In Winter - 3:08
  04. More And More - 3:03
  05. And When I Die - 4:04
  06.
God Bless The Child - 5:57
  07. Spinning Wheel - 4:06
  08. You’ve Made Me So Very Happy - 4:19
 
09. Blues, Pt. 2 - 11:55
  10. Variation On A Theme by Erik Satie (1st Movement) - 1:37
  

 
  Personnel:
  
  David Clayton-Thomas
– lead vocals except as noted
  Lew Soloff – trumpet, flugelhorn
  Bobby Colomby – drums,
percussion, vocals
  Jim Fielder – bass
  Dick Halligan – organ, piano, flute, trombone,
vocals
  Steve Katz – guitar, harmonica, vocals, lead vocals on "Sometimes In Winter"
  Fred Lipsius
– alto saxophone, piano
  Chuck Winfield – trumpet, flugelhorn
  Jerry Hyman – trombone,
recorder
  Alan Rubin - trumpet on "Spinning Wheel" (subbing for Chuck Winfield)
  
  
  Note:
  This is not my rip
  My thanks to the
original uploader
  
  
  
  
  
  
  
  
  
  
  ♪♬♫ ENJOY!
♪♬♫ 						

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